not necessarily a problem at all, in that. They are, perhaps, somewhat more knowable than Sally, in that their essential characters are revealed to a somewhat greater degree - shrek film review Otto is an opportunistic user, Peter is a troubled and vulnerable neurotic. In other words, while Christopher describes himself as a camera, Sally lives her life as though she's in front of a camera all the time. The other characters may not be as memorable as Sally (though all Isherwood's female characters are remarkable but they and their stories are all part of the stage upon which Isherwood always gives himself a minor role. In other words, he is in many ways the story's protagonist, but in one particular way he is not - the narrative never explores his inner world, his emotional life, his motivations, his psycho-spiritual context. Norris and Christopher (in "Goodbye to Berlin a man who enjoys good times and knows where/how to find them. For further consideration of the relationship between William and Christopher, see "Topics for Discussion - Why do you think.".
Eccentrics, for lack of a better word. It's possible to infer that he has in fact changed, perhaps in the direction of becoming more worldly, but this is by no means explained in the narration or pointed up by events. Norris wants to introduce the Baron, in the hopes that the Baron will himself become an agent. Like Fraulein Schroeder, and Fritz, the Nazis are a presence throughout the book. William Bradshaw / Christopher Isherwoodappears in The Last. While it's never explicitly stated, there is the very strong sense that Anni is a prostitute and Otto is her pimp. M, (December 31, 1969). Yet its because of whats going on in the background that the characters achieve their importance as they live their lives under, and in spite of, an increasing atmosphere of menace. The Nazisappears in The Last. Also, if the term "protagonist" is interpreted to mean a central character who undergoes a process of transformation, William is NOT a protagonist, since there is little or no indication of his experiencing any kind of transformation.